Author Archives: Mark

Kris Kuksi

Unveiled Obscurity, Mixed Media Assemblage, 2013

Kris Kuksi is an amazing assemblage artist whose highly detailed works carry beautifully dark Gothic overtones. He was born in Springfield Missouri in March of 1973 but later moved to a town near Wichita Kansas. Due to his extremely quiet home environment and support of his grandmother his creativity was allowed to grow into the art you see today. It wasn’t until after he received a master’s degree in painting from Fort Hays State University that he realized it wasn’t his medium of choice. After many hours of hard work and training he moved on to an assemblage style of art.

The Evidence of Tyranny, Mixed Media Assemblage, 2011

His works often hold a deeper meaning with details so small and fine that looking closely is like reading words on a page. You could stare at them for hours and notice something new after every time you blink. He pulls a lot from real historical events and even the Myths and Legends of many different cultures. He has many art pieces that heavily relate to religion partially because of the way he was raised but also because he loved classical sculptures.

Hercules-vs-Diana, Mixed Media Assemblage, 2011

This work has ties to both Greek and Roman Mythology with the Greek hero Hercules on the left and Diana the roman goddess of hunting on the right.

Sanctuary of the Bewildered, Mixed Media Assemblage, 2009

He has several stand out pieces that are less clear on the stories being told and are more like visually stunning architectural masterpieces. These works are a lot of fun because he really seems to let the Gothic aspects of his art flow freely.

A Tribute to the Madness of Beethoven, Mixed Media Assemblage, 2009
Pan Discomforting Psyche, Mixed Media Assemblage, 2009
A Rather Noble Cock, Mixed Media Assemblage, 2009

He also has several that I genuinely have no explanation for.

Sources: https://www.kuksi.com/

Billelis the Best Yet!

I believe 3-D art is all about perspective. Looking at the same piece from different angles really shows you the content and values which make the piece worth looking at. I went through a few different artist’s work to find one that really popped to me. BillElis who hails from the UK is by far my favorite 3-D artist that I have been able to find so far. The way he uses his materials, mostly metal, brings out the darkness of his pieces which are Gothic in style. Although the idea is dark and the setting of the piece is too, you can see so much contrast due to the content that his work is portraying. He has been approached by the video game market because of his illustrative work. His work on Wick is great! Death and Darkness, is what I see when I look at his work and this really intrigues me to look at the shadows for inspiration. 

Billeils has produced some of the best art of the top athletes, musicians for ad companies and magazines in the world. He inspires me because it seems that he dabbles in everything and is a master of creations that not only should intrigue but give you inspiration too. He can engrave, carve hard stone, make an anime in a virtual world which he can blend and create his own beautiful dark style of art. All the different techniques he uses not only takes desire but dedication and will power to complete his ideas in a provocative manner. His contrasts bring darkness to a new light. 

Dale Chihuly

Dale Chihuly was born in Tacoma, Washington in 1941, and while the first time he’d blow glass would be in 1965, he’d truly discover his passion for the craft in 1968 following a trip to Venice where he’d learn its secrets and intricacies. Chihuly is one of, if not the most well known glass artist of the modern era, creating hypnotic pieces heavily inspired by aspects of the natural world, such as plants and ocean life. Over the course of his over forty year career, he’s created dozens upon dozens of pieces and exhibitions that have been seen in museums, galleries, and other organizations all over the world and 32 states, including Cheekwood and the Frist Museum. Though losing sight in his left eye and an injury in his right arm caused by various accidents throughout his career prevents him from taking a more hands on approach in the creative process nowadays, he still remains an active part of his team as “more choreographer than dancer, more supervisor than participant, more director than actor” in his own words. 

Chihuly is a pioneer to the art form of glass blowing, emphasising the force and power of heat, gravity, and centrifugal force in otherworldly pieces that seem to almost defy the laws of physics at points.

White Pearl Seaform
Silvered Rose Ikebana with Silver Stem and Yellow Flower
Nightfall Macchia
Seaform Installation, Monterey Bay Aquarium, Monterey, California
Gibson Chandelier, 2000
Mille Fiori 

Works cited:

https://fristartmuseum.org/calendar/detail/chihuly-at-the-frist

https://www.chihuly.com/

Yayoi Kusama – Marsha Itsaleumsack

Yayoi Kusama is a Japanese woman who made her title as an avant-garde artist, raised in Matsumoto before moving to New York in 1958, as recommended by her therapist who said her dysfunctional family would swallow her whole. Kusama was a diamond in the rough, having at first had to use scraps she found and mud sacks to craft her art after her mom threw out all of her supplies. Her mother condemned Kusama’s passion for art which only fueled her further. Her most popular works that gained traction delve into psychedelic and what she calls, a ‘self obliteration’. Many if not all of her works are hallucinatory projections and this notably comes in the form of polka dots — her trademark.

Infinity Mirrored Room – Brilliance of the Souls by Yayoi Kusuma 
Yayoi Kusama, Infinity Room, 2013

 
Yayoi Kusama, Transmigration , 2011

“These rooms reflect all of her elements: her obsessions, her accumulations, her infinite repetitions. And it’s all very bodily and immersive,” Yoshitake said. 

            But there was a time before she adapted to the new scene. Her works when she was still a fresh and new, innovative artist had much to do with innate promiscuity and elemental nudity. Kusama abhorred sex, lost and disoriented with the concept of skinship and intimacy, stemming from childhood trauma. This trauma translated into her early works, many of which that puts multitudes of phallic objects on display to more performative pieces of nude men and women alike. 

 
Yayoi Kusama posing with , New York. ©Yayoi Kusama and Yayoi Kusama Studios Inc.


A nude happening and fashion show at Kusama’s Studio, New York, 1968

”I don’t know how long I’m going to survive even after I die; there is a future generation that is following in my footsteps,” she said, sitting in the bright open space that is her new gallery in central Tokyo. “I would be highly honored if people would like to look at my work and be moved by my work.”

Vija Celmins

Vija Celmins is a Lativian-American who has been engaged in art since she was a child. She has a career spanning over fifty years in Los Angeles and now New York, and continues to create amazing works of art to this day. She is featured in Manhattan at the Met Breuer. Starting her career in the 1960s, she drew and painted everything from her stove burner and lamps to the waves from her beach walks.

Untitled (Big Sea #1) 1969
https://news.artnet.com/exhibitions/vija-celmins-met-breur-1684402

She uses graphite pencil in life-like yet surreal ways, observing nature or rendering images from magazines and newspapers.

Untitled (Spider Web #1) 1998
https://ago.ca/agoinsider/icymi-vija-celmins-her-own-words

Vija, in an interview, commented on her works made from using real life and newspaper clippings, saying about her art:

“This is an invented thing. You know that it’s not like a copy of nature, or copy of photograph. It’s an invented thing you have in front of you” (Vija, Art21 32:49).

She has been inspired to make art concerning space in much of her work after the 1960s space race and the moon landing in 1969.

Night Sky #18 1998 Vija Celmins born 1938 ARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d’Offay 2010 http://www.tate.org.uk/art/work/AL00178

Vija also uses paints and sculpture to bring her art alive. In her work “To Fix The Image In Memory”, she made bronze casts of eleven different rocks and than painted the casts to resemble the real rocks as much as possible. In the work, the rocks and casts are placed together and the viewer is challenged to tell the real life and painted ones apart. Vija saw this as a way

“…to create a challenge for your eyes. I wanted your eyes to open wider ” (Celmins).

To Fix The Image In Memory 1977-82
http://www.genetology.net/index.php/73/anthropology/archaeologie/

Vija emphasizes the fact that the canvases are part of her work and she spends a good amount of time preparing and “building” them.

“…I often now talk about building a painting instead of painting a painting,” (Vija, Art21 31:14).

she commented when explaining her process of sanding, applying paint and then sanding again as she adds more layers to her work and rethinks the work as a whole.

Vija at Work
https://www.artspace.com/magazine/interviews_features/book_report/chuck-close-in-conversation-with-vija-celmins-about-her-dense-yet-infinite-drawings-54732

Vija’s work is meticulous but creative in the way she brings her works to life.

Clouds 1968
https://www.vogue.com/article/vija-celmins-retrospective-met-breuer-review

The thoughtfulness and humility that she speaks with when explaining her work is clearly seen in the works of art themselves. Though many of them are black and white images, the works come to life and feel as if they are moving and breathing.

Ocean 1975 Vija Celmins born 1938 Purchased with assistance from the American Fund for the Tate Gallery, courtesy of the Judith Rothschild Foundation 1999 http://www.tate.org.uk/art/work/P78336

Her work is truly inspiring and thought-provoking in a simple and calm manner.

Works Cited

“Vija Celmins In.” Art21, art21.org/watch/art-in-the-twenty-first-century/s2/vija-celmins-in-time-segment/. 32:49.

Celmins, Vija. “Vija Celmins. To Fix the Image in Memory. 1977-82: MoMA.” The Museum of Modern Art, www.moma.org/collection/works/100210.

“Vija Celmins In.” Art21, art21.org/watch/art-in-the-twenty-first-century/s2/vija-celmins-in-time-segment/.31:14.

Vija Celmins

Maya Lin by Abigail Wiencek

Maya Lin is an artist with a passion to make her work mean something. She was born in Athens, Ohio, 1959. Both of her parents were immigrants from China with creative backgrounds and they worked at the Ohio University. With such an upbringing it is no wonder why Maya grew to be a prestigious artist who has an eye for design and the want to make a difference.

Vietnam Veterans Memorial 1982

Maya is most widely known for her Vietnam Veterans Memorial in Washington D.C. which commemorates those who fought and died for our country. She designed it while she was a student at Yale University which may be why it doesn’t look like a conventional memorial or monument. She brought a modern and honest design that may seem stark but that is what makes it so breathtaking.

“Folding the Hudson” A River is a Drawing Exhibition

Maya is also a strong environmental activist who is using her work as a way to talk about important topics such as climate change. Pieces like this she has done specifically focus on bodies of water and their importance. Also another interesting concept Lin introduces through this exhibition’s title is that rivers themselves can actually be classified as drawings which is an interesting line of thought considering what is classified as a drawing. A river is really just the remnant of how water has eroded soil and left a mark on the landscape which can be effectively classified as a line made with mark making. This piece she made was created with many recycled glass marbles that come together to form the Hudson River running all throughout the space.

The Deglaciation of Laurentide

As previously stated Maya likes to focus on climate change in her work. She likes to focus on water and is fascinated with its ever-changing state and the role it plays in history. With pieces like this she compares the original sizes of glaciers and their current shrunk form. Its like bringing geological topography maps to the fluid state of water. When she makes pieces like this the plan is usually put into a computer program and then printed by a 3-D printer. This method is how she is blending technical architectural practices with that of the art world to end up creating something that is beautiful with a strong message.

This piece entitled “Flow” is Lin’s interesting depiction of water’s fluid movement crafted from a rigid medium of wooded blocks. The result is a beautiful composition that draws the eye to slide over its lines of movement. With the wave’s tilted angles it makes viewers feel like a chunk of the ocean has been frozen in time and stowed away.

Overall, Maya Lin is one of our nation’s most inspirational and important artists. She has a mission and purpose behind her art. Not only that, she also is innovating the art world and how we look at how nature and its honest life can fuel beautiful works of art that say something. Lin is starting a conversation in a unique way through the use of art that may open people’s minds that previous ways haven’t before. Either way her work inspires, from her great stone memorial to her fragile glass marble river her work will forever be in people’s minds and maybe even leave a lasting impression on how they view the world.

Works Cited

Jordan Casteel

Jordan Casteel is from Denver, Colorado. She received her Bachelor’s Degree from Agnes Scott College in Decatur, Georgia, then her Master’s from Yale School of Art. Jordan Casteel’s first solo exhibit was displayed in the Denver Art Museum until August of 2019. The exhibit displayed thirty paintings collectively titled: Returning the Gaze. Jordan Casteel’s paintings create art out of everyday people, specifically Black people. Casteel’s motive is to reveal people who often go overlooked. Now living in New York, Jordan Casteel continues to paint portraits of Black men addressing Black masculinity as a part of her passion for social justice. Jordan is changing the way society views Black men while emphasizing Black culture and its pertinent impact on our society’s larger culture. Jordan gets inspiration from her neighborhood in Harlem, New York, which is still heavily populated by Black Americans. I am drawn to Jordan Casteel’s work particularly because she casts black men beautifully. I enjoy that she does not change the cultural parts of Black Americans to place them in her art. The Black men she paints are still dressed in their everyday attire. Some of Jordan’s paintings even show Black men naked. These paintings draw attention to Black men’s humanity. In Jordan’s paintings, it is very apparent that Jordan Casteel focuses on the people who surround her, people who she sees and finds a home in. The environment of the paintings, the clothing on the men, the objects in the paintings can all be identified as pieces of black culture.  

Jordan Casteel, Galen, 2014
Jordan Casteel, The Baayfalls, 2017
Jordan Casteel, Subway Hands, 2017
Jordan Casteel, Ashamole Brothers, 2015
Jordan Casteel, Shirley, 2018
Jordan Casteel, Three Lions, 2015
Jordan Casteel, Ato, 2014

Sources: 

Artist 21, Jordan Casteel 

https://art21.org/artist/jordan-casteel/

Denver Art Museum, Jordan Casteel: Returning Gaze 

https://denverartmuseum.org/exhibitions/jordan-casteel-returning-gaze

Jordan Casteel, ABOUT 

http://www.jordancasteel.com/about

YOSHITAKA AMANO:

“…Once your life is too stable, your creative dies.”

-Yoshitaka Amano

Post by Diego Manalili

Yoshitaka Amano has a wide variety of experiences as a character designer, fine art painter, Japanese artist, theater and scenic designer, costume designer, and animator. Notable for his contributions towards the Japanese animation industry, video games, graphic novels, and the fine arts of painting. His art style revolves around western comic books, Art Noveau, and Japanese woodblock prints according to his work website, “yoshitakaamano.com”.

AMANO’S BIOGRAPHY

Yoshitaka Amano was born on March 26, 1952, and somewhere near Shizuoka, Japan. At the age of fifteen, he moved to a company dormitory to work at Tatsunoko Productions, an animation studio. He created character designs for animation shows such as Gatchaman, Hutch the Honeybee, and Cashaan: Robot Hunter.

He left Tatsunoko Productions at the age of thirty in order to work on more independent projects. When he left the studio, his employers and co-workers were skeptical about his departure, because he was throwing away his financial stability. However, in response to this, he said,”…But once your life is too stable, your creative dies”.

AMANO’S WORKS

Warning: sexual nudity

AMANO’S ART STYLE

I have previously mentioned his art style had an influence from western comic books, Art Noveau, and Japanese woodblock print.

  • Art Noveau is an art style that focuses on more of a decorative and fine art aspect within designs.
  • Japanese Wood Block Prints utilized flat coloring and heavy lines.

Amano’s art style heavily focuses on a variety of fantasy and sci-fi as it can be seen in his works. In 2008 at an art gallery, Gallerie Michael Jansen in Berlin, Germany, Daniel Boese, a critic on the Artforum mentions how Amano was a “superflat concept”, not figuratively but litterally. Boese says Amano’s paintings had fused with “graphic design, pop culture, and the fine arts…”

PACE

Arlene Shechet

Rich in idiosyncrasies, Arlene Shechet’s latest works combine disparate mediums, from ceramics to wood and metalwork, with playfully ambiguous titles that prompt endless associations. In Art21 series.

Image result for arlene shechet
Image result for arlene shechet

Gagosian

Jennifer Guidi

Jennifer Guidi creates paintings notable for their luminosity, texture, and sculptural presence. Her swirling, mandala-like compositions oscillate in color and texture, inspiring shifts in perceptual awareness to forge new sensory horizons. Each painting is methodically executed through a unique process—at once systematic and organic—which reflects the connection of her painting practice to strains of Minimalism that privilege attention to detail and repetition. Her sculptural markings evoke an intensely meditative sense of narrative and spiritual votive. Guidi’s richness of palette and trademark use of sand as a medium link her mode of abstraction to tactile experiences of the natural world, from light permeating the landscape at dawn to the hazy atmospheric conditions of the West Coast.

Image result for jennifer guidi
Image result for jennifer guidi

Guidi was born in 1972 in Redondo Beach, California. She received a BFA from Boston University and an MFA from the School of the Art Institute of Chicago. Guidi’s work is included in many important public and private collections worldwide. Selected solo exhibitions include Field Paintings, LA><ART, Los Angeles (2014); Pink Sand, Harper’s Apartment, New York (2016); and Visible Light/Luce Visibile, Museo d’Arte Contemporanea Villa Croce, Genoa, Italy (2017). Recent group exhibitions include The Afghan Carpet Project, Hammer Museum, Los Angeles (2015), #crowdedhouse, Harper’s Books, New York (2015); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015, traveled to the National Museum of Women in the Arts, Washington, DC, through 2016); Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles (2017); and Generations: Female Artists in Dialogue, Part 1, Sammlung Goetz, Haus der Kunst, Munich (2018).